Movie Studio | Sound Studio | Director | Original Music |
---|---|---|---|
Universal Pictures | Skywalker Sound | Joe Kosinski | Anthony Gonzalez & Joseph Trapanese |
In this exclusive SoundWorks Collection profile we talk with visionary Director Joe Kosinski about the sound and music of his new film “Oblivion”. Also featured are Kosinski’s behind-the-scenes collaborators include Composer Joseph Trapanese, M83’s Anthony Gonzalez, and Re-recording Mixer Gary Rizzo, and Re-recording Mixer Juan Peralta.
Synopsis
Tom Cruise stars in Oblivion, an original and groundbreaking cinematic event from the visionary director of TRON: Legacy and producers of Rise of the Planet of the Apes. On a spectacular future Earth that has evolved beyond recognition, one man’s confrontation with the past will lead him on a journey of redemption and discovery as he battles to save mankind. 2077: Jack Harper (Cruise) serves as a security repairmen stationed on an evacuated Earth. Part of a massive operation to extract vital resources after decades of war with a terrifying alien threat who still scavenges what’s left of our planet, Jack’s mission is almost complete.
In a matter of two weeks, he will join the remaining survivors on a lunar colony far from the war-torn world he has long called home. Living in and patrolling the breathtaking skies from thousands of feet above, Jack’s soaring existence is brought crashing down after he rescues a beautiful stranger from a downed spacecraft. Drawn to Jack through a connection that transcends logic, her arrival triggers a chain of events that forces him to question everything he thought he knew. With a reality that is shattered as he discovers shocking truths that connect him to Earth of the past, Jack will be pushed to a heroism he didn’t know he contained within. The fate of humanity now rests solely in the hands of a man who believed our world was soon to be lost forever.
Sound Credits
Matthew Armstrong | Boom Operator: Second Unit |
Ron Bedrosian | Adr Mixer |
Danny Caccavo | Digital Editorial Support |
Lisa Chino | Assistant Effects Editor |
Brad Duvernet | Sound Utility |
Frank E. Eulner | Sound Effects Editor |
Ryan Farris | Boom Operator |
Ryan J. Frias | Digital Editorial Support |
Scott Guitteau | Sound Effects Editor |
David Hughes | Sound Effects Editor |
Ren Klyce | Sound Designer |
Daniel Kuzila | Sound Utility: Second Unit |
Paul Ledford | Production Sound Mixer |
Erik Magnus | Sound Mixer: Second Unit |
Marilyn McCoppen | Dialogue Editor |
Stuart McCowan | Sound Effects Editor |
Alyson Dee Moore | Foley Artist |
Cheryl Nardi | Dialogue Editor |
Al Nelson | Supervising Sound Editor |
Steve Orlando | Supervising Assistant |
Anthony Ortiz | Sound Utility |
Juan Peralta | Sound Re Recording Mixer |
Gary Rizzo | Sound Re Recording Mixer |
John Roesch | Foley Artist |
Brad Semenoff | Dialogue Editor |
Andy Stallabrass | Adr Mixer |
Greg Steele | Adr Mixer |
Paul Tirone | Adr Recordist |
Justin Van Hout | Assistant Adr Recordist |
Bonnie Wild | Digital Editorial Support |
Gwendolyn Yates Whittle | Supervising Sound Editor |
Ryan Young | Adr Recordist |
Greg Zimmerman | Adr Recordist |
Billy Theriot | Adr Mixer (Uncredited) |