The time is quickly approaching for SXSW so we will make things a little easier for you. Check out the full list of panels that will be featured this year.
- AfroBeats (Ammo Talwar, Punch Records)
- Asia’s Seeping Influence Into Western Music (Rob Campanell, Blastro Networks)
- Brands and Bands: Opportunities Beyond Licensing? (Roger Wojahn, Wojahn Bros Music)
- Brands Are Music Fans Too, Not Just Pots Of Cash (Joe Edwards, I Like The Sound Of That)
- C3S: Putting the Revenue in Creative Commons (Wolfgang Senges, Cultural Commons Collecting Society)
- Constructive Disruption for the Music Biz (Jim Carroll, The Irish Times)
- Digital Marketing Bootcamp For Musicians (Theda Sandiford, Universal Republic Records)
- Digital Media/Music in Africa (Rab Bakari, Mixerpot LLC)
- Downloaded: The Music Industry in the Digital Age (Alex Winter, VH1 Rock Docs)
- Economics, Consumer Psychology, and Music (Jodi Beggs, Northeastern University)
- EDM: DJs vs Producers (Jeff Pollack, Pollack Media Group)
- Enhancing the Mobile Music Experience (J Sider, BandPage)
- Essential Music Royalties (Travis McFetridge, Great South Bay Music Group Inc.)
- From 140 to 0: The Rise in Image-Based Marketing (Scott Perry, Sperry Media)
- Get The Best Buck For Your Bang-Maximizing Revenue (Neeta Ragoowansi, TuneSat)
- Guess What? Your Press Release Sucks! (Howard Wuelfing, Howlin’ Wuelf Media)
- Guiltless Pleasures: Imagining a Post-Snob World (David Greenwald, Rawkblog)
- Herding Cats: New Digital Management for Artists (Rynda Laurel, 1968media)
- How to Build a Profitable Music App (Legally) (Brian Hirsh, Mirrored Media)
- How to Stretch Your Recording Budget (Larry Crane, Tape Op/Jackpot Recording)
- Inside the Music Supervisors’ Brain: Case Studies (Jon Bartlett, MEGAPHONO)
- Insight from 1 Million Consumer Interviews (Chris Carey, EMI Music)
- Into the Mystic: Secular Music as a Quest for More (Greg Garrett, Baylor University)
- Live Music Supervision Session: Anatomy of a Scene (Rebecca Rienks, E! Entertainment/NBCUniversal)
- Man v Machine: Data Science and the Future of A&R (Zanab Hussain, SimpleReach)
- Music Festivals- The Real Deal From The Experts (Todd Sims, Flavorous)
- Music Festivals Powered by Tech Innovation (Esben Danielsen, Roskilde Festival)
- Music in Devices – Can Music Support User Demand? (Vickie Nauman, 7digital)
- Music Subscription & Artist Revenue (Antony Bruno, Digitalmusic.org)
- Musical Identity: What Music Taste Says About You (Jim Lucchese, The Echo Nest)
- Musician Business: Lessons from the Grateful Dead (Bob Weir, The Grateful Dead)
- Musician Tools that Matter (Chris Wiltsee, BandPage)
- My Money & My Fans: The Copyright Conundrum (Margot Kaminski, Information Society Project at Yale Law)
- Navigating Washington – Policy and Music in 2013 (Michael Bracy, Future of Music Coalition)
- New Orleans Music Today (Scott Billington, Rounder Records)
- Principles of Pop/Rock Record Making: Songwriting (Howard Benson, Howard Benson Productions)
- Radio is Still Radio: And That’s a Good Thing (Brian Lakamp, Clear Channel)
- Rogue Ticketing: Louis CK and LCD vs. Ticketmaster (Gannon Hall, Ticketfly)
- Silicon Valley Isn’t the Enemy (Anymore) (Mike McGuire, Gartner)
- Singles Labels + Artists: Proven Success (Jake Hurn, White Iris)
- So We Won SOPA: Turning a Moment into a Movement (Michael Petricone, Consumer Electronics Association)
- Songwriting for the Screen (Amanda Krieg, Format Entertainment)
- SXSW Interview: Ken Scott (interviewed by Kevin Augunas)
- The Brand Called YOU: A New Take on an Old Theme (Liz Leahy, Section 101)
- The Future of Music + Brands Looks Promising (Eric Johnson, DDB Chicago)
- The Power of Lyrics in the Digital Age (Deborah Newman, MusicStrat)
- The Royal(ties) Pain in the Music Industry’s A$$ (Patrick Reynolds, Triton Digital)
- This Is Your (Rap) Life (Tahir Hemphill, Harvard University)
- UK 101: How to Break Your Band in the UK (Jules Parker, PRS for Music)
- Using Social to Fill the House (Jordan Glazier, Eventful)
- Where To? A Sat Nav For The Music Business (Horace Trubridge, British Musicians’ Union)
- Who Cares If You Have an Audience? (Brian Felsen, CD Baby)
- Wild About You (Stuart Coupe, Laughing Outlaw Records & Management)
- Writing for Music Libraries (Steve Knill, GMR Marketing)
Props to Hypebot [AlLindstrom]
